1st room (the farthest back). To the left: 1. Maratta, Holy Family;
4. N. Poussin, Plague at Marseilles; 5. Sassoferrato, Holy Family; 9. Luini (?),
Madonna; 17. A. Elsheimer, Adoration of the shepherds; 18. Corn. Schut,
Holy Family; 19. Titian(?), Alphonso of Ferrara; 22. Early Florentine
School, Altar-piece in 24 sections ( 1344); 27. Early Flemish School (not
J. van Eyck), Presentation in the Temple; 48. Murillo, Christ on the
Cross; 50. Guercino, St. Sebastian; 54. Jac. Tintoretto, Doge; 58. P. Moia,
Portrait; 59. Greuze, Mary Magdalen; 66. Ribera, Isaae blessing Jacob;
72. F. Primaticcio, The graces. On the easels: 89. P. Neeffs, Church-interior;
91. W. van de Velde the Younger, Calm. — 2nd room. 94. J. Weenix,
Departure of the Prodigal Son; 97. C. de Heem, Still-life; 96, 95. Rachel
Ruysch, Fruit and flowers; 93. Snyders, Vultures fighting with snakes;
100. A. van Ostade, Tavern; 110. Gasp. Poussin, 111. Nic. Berchem, Land-
scape; 117. Jan Vermeer (van Delft), His own studio; 118. Wouverman,
Return from the chase; 119. Cuyp(?), Cattle reposing; 124, 125. S. Ruysdael,
Sea-pieces; 128. Van Dyck, Cupid; 133, 134. A. van Everdingen, 144.
Wynants, 145. A. Pynacker, Landscapes; 147. J. van Ruysdael(?), Storm
at sea; 164. Dürer, Portrait ( 1516); 168. Rubens, The three women at the
Tomb (studio-piece); 162. Baroccio, Portrait of himself; 169. Wynants,
Landscape; 170. J. van Rhysum, Flowers; 171. Weenix, Game; 172. Honde-
coeter, Poultry; 173. Snyders, Fox hunted by dogs. On the easels: Dou,
175. Players, 176. Portrait of himself; 179. C. Decker, Landscape ( 1669);
183. Van Dyek (?), Portrait; 184. A. van de Velde, Cattle; 186. Teniers the
Younger, Soldiers in a tavern; 187. Paul Potter, Cows coming out of a
stable; 188. Van der Neer, Conflagration at night; 190. J. van Ruysdael,
Landscape. — 3rd Room. 196. E. de Witte, Church-interior ( 1664); 205,
206. Van der Helst, Portraits; 218. A. Elsheimer. Donkey-driver; Ryckaert,
221. Musical party, 220. Peasants in a tavern; 222. Lampi the Elder, Por-
trait of the founder of the gallery; 231. Rubens, 233. Van Dyck, Portraits;
248. J. Ruysdael, Landscape. On a stand: 73. Teniers the Younger, Bag-
piper; 74. Metsu, Smoker; 75. Rembrandt (?), Portrait of his mother;
A. Brouwer, 76. Miser, 77. Village barber; 78. A. van Ostade, Tavern; 79.
Pourbus the Younger, Portrait; 80. Teniers the Elder, Fortune-teller. — In
the centre, a statue of Archduke Charles. — 4th Room (entrance-room).
Guido Reni, 254. Female head, 255. Madonna; 257. A. Cuyp, Landscape with
cattle; 261. Van Goyen, Dutch scene. — The private apartments, containing
a number of other pictures, are shown only when the family is from home.
This district is intersected by the busy Josephstadster-Strasse
(Pl. I; C, D, 4), in which, on the right, is the Josephstadt Theatre
(No. 26a), founded in 1788. — Close by, in the Piaristengasse, is
the domed Church of Maria Treu (Pl. I; D, 4), erected in 1698-1713,
with frescoes by A. F. Maulpertsch.
In the XVI. District, Ottakring, adjoining the Josephstadt on the W.,
is the large government Tobacco Factory (Pl. I; B, 3, 4), employing about
1500 hands (90% women) and producing annually 33 million cigars and
60 million cigarettes. Visitors are admitted on Mon. and Wed., 9-11 and
2-4 (60h.).
1. N.W. Districts: Alsergrund, Währing, Döbling.
Tramways (p. 5): Nos. A1-4; A7, 13, 14, 23, 27-31; A15, 22; B36;
A27; A13-15, B32-34. — STADTBAHN (p. 6) viâ the Gürtel and from the
Schotten-Ring to Heiligenstadt (Nussdorf). — Railway (p. 255) viâ Heiligen-
stadt to Nussdorf.
The Alser-Str. separates the Josephstadt from Alsergrund, the
IX. District. In this street No. 4 is the vast Public Hospital (All-
gemeine Krankenhaus; Pl. I; D, 3), one of the largest in Europe
(3000 patients). At the back is the so-called Narrenturm, or